Autumn succeeds summer.
So on a normative realist picture, there will still be norms in Gibbard’s sense, and they will play many of the same psychological roles in explaining behavior that they do in the evaluativist picture.
A part of the time they spent in senseless intoxication; and the lucid interlapse of sobriety was occupied only in mourning over the recollection of past importance, and trembling at the prospect of speedy annihilation.
At a casting workshop, an actor was performing a blank scene […] and he had not bothered to make any choices about why he was on stage, what his motivation was, what he was playing. He had decided who he was and where he was (on a couch with his girlfriend) but had not decided what he wanted. So the performance was flat and lifeless.
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