The jury which decides on the first night usually seals the fate of the season.
No Perſon vvas puniſhed by Bonds, Strokes, or Death, vvithout the Judgment and Sentence of the Druids: […]
Let it be distinctly understood that, while I have drawn a parallel between Victor Hugo and Walt Whitman, as regards their radicalism in poetical reform, I should wish distinctly and emphatically to assert that the Whitmanesque reform in style —as illustrated in its best specimens,— is as far in advance of that of Hugo as his was in advance of Classicism. Whitman's method dislinks entirely from all past theories.
If a person couldn't sell their (choose one) poetry, play, sculpture, or painting on the open market, why should the taxpayers pick up the slack for the poet, artist, or playwright whose talents would be better utilized in, say, a car wash?
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