I went over my notes in preparation for the exam.
The harlequinade ceases for the moment, and a two-character tragedy begins with the shepherds Thyrsis and Corydon, whose names derive from ancient pastoral poetry.
Cary Grant imparts his ineffable charm, Kennedy (with metal hand) provides comic brutality, while Hepburn is elegantly fraught.
The next work is racking or tentering the cloth […] and this is performed by setting it in a frame, which we call tenters, such as are to be seen in many fields about London, wherein (it having a windless at one end) it is first strained to its length, then afterwards to its breadth and parallelism […]
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