Up yours!—I’m not giving you any!
Not everyone, the guard retorted. You have to earn it. / Yeah, what'd you do to earn it, buddy? Rack up a dozen merit badges? Learn to tie your kerchief in a pretty knot? / Cass shot him a look. She didn't doubt that Dor was baiting the man on purpose, trying to draw him into a dick-measuring contest so he would be less likely to question their story that they were together.
Not everyone,
You have to earn it.
Yeah, what'd you do to earn it, buddy? Rack up a dozen merit badges? Learn to tie your kerchief in a pretty knot?
The question of the plausibility of the counter-factual is seen as key in all three discussions of allohistorical fiction (as it is in Demandt's and Ferguson's examinations of allohistory) (cf. Rodiek 25–26; Ritter 15–16; Helbig 32).
Many people experience some form of temporary depersonalisation in their lives, typically at moments of extreme fatigue or high stress, such as during a car crash, where both the established defence options of fight or flight are removed. A number of recreational drugs also precipitate similar episodes.
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