The repairs on this nuclear reactor have burned out every welder in the province.
having shewed what Optimity, or Transcendent goodness is[…]
Man, I wasn't hooked, I was crucified. The monkey got so big he was carryin' me. […] When I hear a junkie tell me he wants to kick the habit but he just can't I know he lies even if he don't know he does. He wants to carry the monkey, he's punishin' hisself for somethin' 'n don't even know it. […] Then I got forty grains 'n went up to the room 'n went from monkey to nothin' in twenny-eight days 'n that's nine-ten years ago 'n the monkey's dead. The monkey's never dead, Fixer, Frankie told him knowingly.
Man, I wasn't hooked, I was crucified. The monkey got so big he was carryin' me. […] When I hear a junkie tell me he wants to kick the habit but he just can't I know he lies even if he don't know he does. He wants to carry the monkey, he's punishin' hisself for somethin' 'n don't even know it. […] Then I got forty grains 'n went up to the room 'n went from monkey to nothin' in twenny-eight days 'n that's nine-ten years ago 'n the monkey's dead.
The monkey's never dead, Fixer,
With its fetishistic shots of jukeboxes that still play 45s, and reverence for road movies like “Vanishing Point,” “Death Proof” is a love letter to pop archivalism as cozy as the roadhouse in which the first half takes place.
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