[He] regardes not the whips of the moste crabbish Satyristes.
Can't say Mass this morning. Can't say Mass. I've forgotten to bring the maniple. No maniple. No Mass. It's that muddle-headed Mrs. Gladstone. I told her to be sure she packed all my vestments. And she's forgotten the maniple. […] Mark knew that Dorward was not serious in refusing to say Mass, and after a short argument it was agreed that the absence of a maniple would not invalidate the Mass.
Can't say Mass this morning. Can't say Mass. I've forgotten to bring the maniple. No maniple. No Mass. It's that muddle-headed Mrs. Gladstone. I told her to be sure she packed all my vestments. And she's forgotten the maniple.
The rudiments of the brain, eyes, punctum saliens, spinal cord, six vertebrae, shades of ribs, a dark knob at the cephalic extremity of spine, and an oval expansion at the caudal extremity.
Many explanatory pages have been written on the meaning of this famous painting, and, provoked by its indefinable charm, its elusive suggestion, many an art student has brought the full power of his critical acumen to the task of finding suitable words for the description of the picture’s strange appeal. Each attempt has failed and each writer has dwelt with peculiar emphasis upon the qualities of the Mona Lisan smile.
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