For quotations using this term, see Citations:popess.
[Thomas] Hardy relies heavily upon the natural object metaphor to provide him with a language of female sexuality that is not of the fastidious, fey, 'lilies-and-lace' category. In keeping with his heterodox views—that a voluptuous woman is a fair product of nature, fit and healthy in body and mind, neither degraded by her sexuality nor mentally or morally degenerate—he relies upon wholesome, 'natural' objects to evoke her healthy sexual appetite.
He had to assess his publicity work in terms of sales achieved per item, where possible, and improvements made where these could reasonably be expected to be 'aimworthy' …
ye recke not for honesty, no nor for your own law, nor for deeds of mercy and charity, but in folly, and in Bobance
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