He erected his house therefore upon the interiour quarter of the camp, and within the fortified ground of the prætorium.
To see how this works, I’ll examine the 2008 music video “Evident Utensil” by the band Chairlift, which limits its datamosh degradation to the most fundamental effects of the technique.[…]Similar kinds of defamiliarization are equally apparent when datamoshing artists single out what I termed in Chapter 1 “contingent motion forms” like fire and water, such as in the opening of Monster Movie or in Nabil Elderkin’s datamosh-heavy music video for Kanye West’s “Welcome to Heartbreak,” which uses an abundance of contingent motion forms—screen-filling explosions of water, fog, and fire.
Slowly, Gia's fangirl dreams unfolded in her eyes and she planed on making Jun Ho fall in love with her for real. Will this fake marriage turn into a real one? Daebak!
Not for a regiment's parade, / Nor evil laws or rulers made, / Blue Walden rolls its cannonade, […]
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