[…] to be exceedingly careful bearders of the foreign lion.
It is certain that Juan Diego was a virtuous man, who tried to direct his life along the road of righteousness, of honesty, of virtue, and to make all that pleased God bloom, who was chosen by the Mother of God Herself to be Her [i.e. the mother's] messenger.
Following two earlier major Sigmar Polke shows, at Tate Liverpool in 1996 and Tate Modern in 2005, this extensive retrospective aims to show the German painter, film-maker and sculptor in full. A founder, with Gerhard Richter, of capitalist realism (a rejoinder to British and American pop art) in the 1960s), Polke went on to make an enormous variety of hallucinatory, poisonous, gorgeous and unsettling works that still reverberate with a strange, dark humour.
But other designers have done the same, notably John Galliano and Rick Owens, in a very similar style. Mr. Theyskens may have wanted loose dresses and tops in mauve and lilac-gray silk to look indistinct, his rough jackets and blousons to seem worn and unprecious.
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